Friday, July 29, 2005

The Locust Song


. . . the wise and wry observation which the young William Butler Yeats offered
one evening in The Cheshire Cheese to his fellow young poets in the Rhymers Club:
"None of us can say who will succeed, or even who has or has not talent. The only
thing certain about us is that we are too many.
— Paul Carroll


The tyranny of poets: "Like." O we were like
the infinite regression of roe, in the sex crease
of a sturgeon. We were like — what? like, as numerous
as the stars, the grains of sand, the uses of "like" itself.
Too many of us. Too flakes of snow, too fish
in the deep, too waterbugs of Florida. In the thick air

of the evening Cheese, a muss-haired Willie Yeats stares out
across a bobbing sea of schnockered literary faces
and he sees, as if implied in these, the overmany faces
of the shantytowns, and the Chinese steppes,
and the grim Malthusian banks of the Ganges river
on a holy day . . . too many of us. Those birds

slouched on the wire have served as a bar of music now
in how many poems? as a squadhouse lineup
in how many poems? as heavy portents over
the words in the wire itself, how many times?
Too many many-of-us. That zero now, the "black hole"
of the astronomers . . . by now it's the rose

and the willow and the rainbow and the nightingale
of two generations of us; string theory is easily the sunrise
over the Mediterranean Sea of us. "I think of . . ." then
a historical reference, Mendel, Bruegel, Mata Hari,
how many times? The prize and the prize and the prize.
A swarm of prizes. I think of William Butler Yeats,

a sloshy evening spent in fellowship with his kind. Some
have a scribbled paper with them. Some, a published pamphlet.
All of them have dreams to share. "Inside of every fat man
there's a skinny man waiting to be let out." And inside every
too many of us is a me. Right now, a hundred me
are lifting up their pints and toasting Yeats's observation.


Albert Goldbarth
Poetry
The Humor Issue
Volume CLXXXVI, Number 4
July/August 2005

Monday, July 25, 2005

Sunday, July 24, 2005

BOOKS SIXTY

Hey bibliophiles,

New books, some mine, some consigned. Previously-owned titles, all in good, near mint condition, unless othersie stated.

use comment box to reserve or text me thru 0927-9952977. unahan 'to.

Pick up on Wednesday, July 27, 1pm, Dunkin Donuts katipunan.

-------------------
1. Myth of Sisyphus: Albert Camus -- P250

2. Sophie's World: Jostein Gaarder -- P300
3. Great Apes: Will Self (HB/Signed! by the new Kafka! Collector's Copy) -- P1,000
4. Kurt Cobain's Journals (Rare/Oversized) -- P400
5. Critical Essays: Albert Camus -- P300
6. A Pocketful of Python (Edited by Terry Gilliam/Full-color/HB) -- P400
7. The Man Who Mistook His Wife for a Hat: Oliver Sacks -- P350
8. The Cocktail Party: T.S. Eliot -- P250
9. The Thurber Album: A Collection of Pieces About People: James Thurber -- P200
10. William S. Burroughs: The Cat Inside -- P150
11. Truman Capote: In Cold Blood (HB/No Dustjacket) --P250
15. Paul Auster: Oracle Night (HB/No Dustjacket)-- P250
16. Naguib Mahfouz: The Beggar (Nobel Prize Winner) --P200
17. Michael Moorcock: King of the City (HB/No Dustjacket) -- P200
18. Civilization and its Discontents: Sigmund Freud -- P250
19. The Paris Review 50th Anniversary RARE Issue #167 -- P500
20. The Winners: (Julio Cortazar's first novel) -- P300
21. The Moth & The Star: A Biography of Virginia Woolf (1957ed) -- P300
22. Filth: Irvine Welsh (Brand New/from author of Trainspotting) -- P450
23. Life is Elsewhere: Milan Kundera -- P300
24. Ariel: Poems by Sylvia Plath -- P350
25. Charlie and the Chocolate Factory: Roald Dahl (HB) -- P500
26. The Stories of Vladimir Nabokov (664pp) -- P500
27. Porno: Irvine Welsh -- P400
28. The Solitaire Mystery: Jostein Gaarder -- P350
29. Foucault's Pendulum: Umberto Eco -- P450
30. Great Esquire Fiction: Finest Stories from First 50 Years -- P500
31. Ladders to Fire: Anais Nin (Hard to Find) -- P400
32. Letter's on Cezanne: Rainer Maria Rilke -- P350
33. Pulp Fiction: A Quentin Tarantino Screenplay -- P200
34. The World of Pooh: A.A. Milne -- P200
35. The Bad Girl's Guide to Getting What You Want -- P300
36. Far Side: The Prehistory of the Far Side (10th Anniversary/Oversized ) -- P400
37. Beach: Stories by The Sand and Sea (Ballard Camus Chekhov) -- P400
38. Birds of America: Stories: Lorrie Moore (hard-to-find/ must-read) -- P350
39. The House on Mango Street: Sandra Cisneros -- P200
40. Dilbert: Bring Me the Head of Willy the Mailboy -- P300
41. Possession: A.S. Byatt (Movie Cover) -- P300
42. The Short Stories of Ernest Hemingway (The 1st 49 Stories) -- P300
43. The Mists of Avalon: Marion Zimmer Bradley -- P350
44. Here to Eternity: An Anthology of Poetry (HB/Edited by Andrew Motion) -- P400
45. Big Book of Bart Simpson Comics TPB: Matt Groening -- P350
46. Bad Trips: Writing on the Perils of the Road (Bob Geldof in Thailand, Umberto Eco in
southern california, Graham Greene in Mexico, John Updike in Venezuela, etc.) --P400
47. Dead-eye Dick: Kurt Vonnegut -- P350
48. Virginia Woolf: The Voyage Out (1948 ed. Woolf's 1st novel) -- P400
49. The Moon by Whale Light: Diane Ackerman -- P400
50. Hocus Pocus: Kurt Vonnegut (Hardbound)-- P500
51. The Tesseract: Alex Garland (HB/ set in Manila/must-read) -- P500
52. The Beach: Alex Garland (Hardbound 1st Edition/Rare) -- P500
53. Lolita: Vladimir Nabokov -- P400
54. Lullaby by Chuck Palahniuk (HB/2002) -- P400
55. Woody Allen: Without Feathers/Side Effects/Getting Even (3 in 1) -- P500
56. Immortality: Milan Kundera -- P400
57. HP Lovecraft: The Dreams in the Witch House & Other Stories -- P400
58. The Powerbook: Jeanette Winterson -- P350
59. The Ring of Brightest Angels Around Heaven: Rick Moody (HB/ Rare) -- P500
60. Sylvia Plath: Johnny Panic and the Bible of Dreams -- P400

Saturday, July 23, 2005

Bwakinanginang SuperStar

I find nothing more self-indulgent and highblood-inducing than many of these lifestyle columns we find in weekend editions of local, leading newspapers.

Gimme a friggin' break: I don't want to hear how young you were in the '80s and how you hate Corey Hart and Menudo and all that shit. Or how you got to ride a taxi and spent quality time with manong driver who gave you wondrous epiphanies on the vehicularly-challenging life out there. Or to read a list of your new book acquisitions and favorite records. Or just to constantly see your boyprens and gelprens namedropped.

PUTA NAMAN! Hindi Blog ang espasyo n'yo sa dyaryo!!!

Secondly, being a responsible columnist is not even simply a matter of subject matter, but also of tone. If you can't transcend your diary-entry, angst-ridden tones, you've no business writing columns.

I guess my main point here is the growing lack (oxymoron intended) of responsible journalism in these so-called columns. Most of these writers don't really write insightful pieces; they just use the precious space to rant and rave and poke readers with novelty shit, trivia, and nonsense.

Di ganyan ang GONZO!!! Magsulat na lang kayo ng brochure kung trip n'yo mag FYI sa mambabasa n'yo!

Instead of troubling us with lame excuses for and masturbatory exercises on creative non-fiction, these people should keep their crappy ramblings to the confines of their blogs.

Write about what you really know or can fully imagine. mehn.

And don't mess around with ma' '80s music. (Yeah, yeah--I'm having a classic thirtysomething fit. Hehe.)

Erwin Romulo is, I think, the only authentic essayist among these columnists. The guy's works are not necessarily (and I think not intended to be) Gonzo, but balanced, witty, and literary in a lot of instances.

As for the others, just write your angst in your friggin' blogs. If you've nothing really important to say, don't bombard readers with useless trivia they can read or find in a website, anyway. And por pabor, nada of those whacked sentiments as to how the world owes you some shit for being depressed and other emotional shit.

Magbasa na lang kayo ng Ating Alamid!

Malapit na!!!

Sunday, July 17, 2005

SOMEBODY ELSE’S IDEA

of salvation is exactly

what I don’t want to hear about

right now. And it’s not

just that I know it’s not

likely to include me. Have you heard,

my friend asks, the story about

the horses at nightfall? Or the one

where we’re lost in the forest?


Of course I realize it’s easier

to get into any heaven you’ve made

up for yourself, that the whole point

of religion is that it isn’t

whatever you happen to need

at the moment. Somebody tells you,

because somebody knows. That’s why


there
are rules. Maybe consequences

will occur, my friend suggests,

which we can’t foresee, creating

conditions we may find ourselves

powerless to control. These days

who can tell? So there we are,

out in the weather, out in the cold.

And yes, I’d say it seems to have

some punishment in mind.

-- Lawrence Raab (from Octopus Magazine, Issue # 5)
You are John Ashbery
You are John Ashbery. People love your work but
have no idea why, really. You are respected by
all kinds of scholars and poets. Even artists
like you.

-- haha! angas ng dating. take this quiz, people.


Which Famous Modern American Poet Are You?
brought to you by Quizilla

Thursday, June 16, 2005

Pilit na Sagot sa Mga Tanong ni Kael

1. Nagalap ko, sa aking pagsasaliksik, na dati'y nagsusulat ka ng tula sa Tagalog. Ba't naging exclusive na sa Ingles ka na nagsusulat?

Long story. But principally because I don't think I can express myself as well in Filipino. Then again, maybe that's just a convenient excuse. I think it's an irrepairable consequence of taking Filipino for granted. I wasn't as fascinated with Filipino (I guess given that I grew up in a Tagalog-speaking province {Cavite}) as I was with English. When I went to U.P. for college, I spoke in halting English that made me really insecure. All this business of trying to lose one's thick provincial accent contaminated my speaking and, well, writing.

You might as well ask, "Why write poetry in English?" Of course, I'd be a hypocrite if I say I (didn't then and) don't have a choice now, to go back into writing fiction and writing it in Filipino. But there is no exclusivity clause here; it's more of a preference. I think the act of reading and writing is, as Harold Bloom puts it, "a solitary praxis". It is a selfish business, a sabbatical into a certain Sublime. I am not one to put labels on things and I will not invent an excuse for not writing in Filipino other than to address someone who reads for him/herself. I am paraphrasing Bloom here: The intention and pleasure of writing per se, can be terribly personal.

There is a political canopy above these (all?) things, yes, but I will not name theories than attempt to pigeonhole what's literary and what's not. The authentic writer, I think, is one who writes in a language that he feels most comfortable with--not in one that is dictated by matters, issues, and politics outside of the self. How people react to your work in a personal--or even primal--sense is what's important, I think. The politics of "representation" and "marginalization" come with the processing, the labelling.

2. Kung papipiliin, ano ang gusto mong maging propesyon/pasyon ng anak mong si Moira paglaki niya?

Kung papipiliin. I'd rather that she develops a passion for reading and, hopefully, an interest (at least) in writing. I want her (like all fathers, I guess) to be proud of my being a writer. It won't hurt if she likewise decides to pursue a career in writing. Of course, the more logical part of me would want her to choose a more financially-rewarding career (medicine, law, etc). Anyway, passion is not necessarily attached to a profession. I'd rather she gets to live out both "sions" without compromising the former.

3. Nagising ka ng isang umaga nang nakalimutan ang mukha at pangalan at lahat ng alaala ng kabataan mo (sa Cavite, say, hanggang high school), maliban sa pamilya at 3 pang tao. Sino ang 3 taong 'yun? Nagkikita pa ba kayo? Kailan mo sila huling nakausap.

Siguro si "Ime" (Elmer Javier), si "Jopri Snakeman" (Jeoffrey Matibag), at si "Val" (Valerie Javier). Lahat sila kaklase ko 'nung high school. Si Ime barkada ko na mula pa sa Silang Central School, isang public elementary school sa amin kung saan nagkalat ang masarap na tae at uod sa mga ihian at may malawak at madamong playground sa likuran para sa takbuhan, ninja-han, suntukan, tayaan-tulungan, at beysbol.

Parang magkapatid na kami ni Ime. Tawa lang kami ng tawa 'nun sa mga kaklase. May bansag kami sa lahat. Tulad ni Wilmer na tinawag naming "Baka" dahil may gusto sa kanya si Rebecca na bukod sa tunog-baka ang pangalan, mukhang baka pa. Si Bedo naman, tinagurian naming "Funeraria Bedo" dahil may kahawig na funeraria sa Silang, 'yung Funeraria Vedar. Si Royski Drikulangotski, si Bj Kalesa, si Rory Rokrakes, Si Lu-Jay-ga (si Jay, matabang kalaseng may luga). Lahat may bansag. "Saging" bansag sa kin 'nun. 'Di ko na papaliwanag.

Basta kagaguhan at pagtatawanan, kami ni Ime magkasundo. Pag naman robot, music, at komiks, kami ni Jopri ang bestprends. Unahan kami n'un sa Funny komiks tuwing huwebes. Ingat na ingat kami sa mga kopya. Sayang, ipinamigay ko na. Siguro mahal na 'yun ngayon...
Lahat ng transformers episodes pinapanood namin at pinag-uusapan kinabukasan. may listahan kami ng mga pangalan ng mga robots. may ginawa pa nga kaming alternatibong listahan ng mga bastos na transformers. Sina Percentor-tite, Si Sideswipekpek, atbp.

"Snakeman" bansag n'ya buong hayskul dahil minsan nang-ahas s'ya sa aming Chalk Basketball Association (CBA) at lumipat ng ibang koponan. Galit na galit sa kanya si Pinoy (na anak ng hapon).

Minsan, si Jopri ang takdang magwalis ng yero sa classroom namin. mezzanine s'ya kaya puwede kang lumusot ng bintana at walisin ang mga dahon at ipot sa yero. Kaso, pinagtripan s'ya ni Bj Kalesa. Sinara bigla bintana. Takot na takot si Joprey. Kinalabog ang bintana habang sumisigaw ng, "Buksan n'yo bintana! Hindi ako makahinga!!!" Sus.

Si Val, labs of my high school life. Grade two pa lang ako (pagkatapos mawala crush ko kay Jeng-jeng), si Val na mahal ko. Kaklase ko s'ya hanggang gumradweyt ako, mahal ko s'ya hanggang umalis ako papuntang maynila. Naaalala ko, umiiyak ako sa awiting "Here I Am" ng Air Supply nang malaman kong sinagot na n'ya si Butch, 'yung Adjutant namin sa CAT.

"Just when I thought I was over you
Just when I thought I could stand on my own,
Oh baby, those memories come crashing through..."

Nasan na kaya si Val?

Abangan...


Sunday, June 12, 2005

Only Begin

Only begin, and the rest will follow.
--- David Wagoner, “The Source”

I’ve been meaning to tell you, for some time now,
How afraid I am of this age, of its dormant bodies.
Somewhere, an old window is opened and the charged air
Begins its steady reclaiming of spaces,
Whispering its many names to the furniture,
Nudging them into small motions. All around,
The cobwebs are dancing to wind music.
A spider, sensing the sudden change,
Scurries back into the shadows.

Someone has arrived. He takes off his hat,
Looks around, considers the architecture.
He runs his fingers on each object, names them.
He is walking to the window, his footsteps leaving good,
Clear prints on the floor, making good, clear sounds.

You may see this yet. Notice how the hours
Become the only constant, how the birds outside
Make only strange noises. The once familiar
Has given way to the private dark. Get up.
The ordinary days are slipping by.
Step to the window. So that one day

I may wake to the sound of footsteps, like a homecoming.
“Let me in,” I will say. “Let me share your long sorrow.”

Wednesday, June 08, 2005

Shannon Hoon 1967-1995



No Rain


All I can say is that my life is pretty plain


I like watchin' the puddles gather rain

And all I can do is just pour some tea for two

and speak my point of view

But it's not sane, It's not sane

I just want some oneto say to me

I'll always be there when you wake

You know I'd like to keep my cheeks dry today

So stay with me and I'll have it made

And I don't understand why I sleep all day

And I start to complain that there's no rain

And all I can do is read a book to stay awake

And it rips my life away, but it's a great escape

escape...escape...escape...

Friday, June 03, 2005

Purple Haze Rengga (June 2)


The truth is that everything begins
with sadness. The street lights are lambent,
loose, as if heavy with longing.

It's like holding music, or trying to,
the notes breaking into imagined fragments.
Yet it's there. Sad, shadow-filled.

LIke the spaces between rain,
with which we excuse this inarticulate thirst.

Remember when the sidewalks curled
like tongues, tingling with delusion?

Eyeball to eyeball light leaps like a wet dog
thru whose ears pass the puttering of small feet,
slender as a knife in the lung.

The quiet puncture.
The gentle loss of blood.

--kael, joel, naya, marie, gelo, c.j.

Thursday, June 02, 2005

The Night, The Porch


To stare at nothing is to know by heart
What all of us will be swept into, and baring oneself
To the wind is feeling the ungraspable somewhere close by.
Trees can sway or be still. Day or night can be what they wish.
What we desire, more than a season or weather, is the comfort
Of being strangers, at least to ourselves. This is the crux
Of the matter, which is why even now we seem to be waiting
For something whose appearance would be its vanishing--
The sound, say, of a few leaves falling, or just one leaf,
Or less. There is no end to what we can learn. The book out there
Tells us as much, and was never written with us in mind.

-- Mark Strand

Tuesday, May 31, 2005

Down With the Sithness

I finally got to see Revenge of the Sith yesterday. It was well worth the wait because i got me the famed lazy and hellishly cozy seat in gateway's platinum cinema. panalo. free popcorn and drinks pa, with refills.

Tama nga sinabi ng mga kaibigang nanood na. daming cheesy lines. at masyadong ipinaliwanag lahat. Pero okay na rin; I'm not really complaining. Now that's done. Star Wars is done.

Now, what? Why, go back,
turn as I please.
My step is to the south.
-- Randall Jarrell

And to think I grew up on Star Wars. I think part of why I didn't want to see Revenge too soon was knowing sadly that it is the last. Naalala ko pa nung nakikipag-unahan ako sa SM City (ikalawa ako nakapasok sa Mall, ikalawa sa pila sa sinehan) para sa Phantom Menace. It was an odd sight: all those people rushing like Zergs, clambering up the stairs, not making any sound. Parang eksena sa Dawn of the Dead. At syempre, sa pila, daang-daang hapong-hapong Darths. It was beautiful.

You were saved because you were the first.
You were saved because you were the last.
-- Wislawa Symborszka

I'm on higher ground now. The view is good from here.

------------------

Lastly, from Ashbery's prose poem, "The System":

I know now that I am no longer waiting, and that the previous
part of my life in which I thought I was waiting and therefore
only half-alive was not waiting, although it was tinged with
expectancy, but living under and into this reply which has
suddenly caused everything in my world to take on a new
meaning. It is as though I had picked up a thread which I had
merely mislaid but which for a long time seemed lost. And all
because I am certain now, albeit for no very good reason, that it
was this one and no other...


Wednesday, May 25, 2005

jedi badiday



there's nothing remotely interesting about luke skywalker. he's just a wimpy, lame-ass version of his dad. i mean, anakin was d' bayaw!

the way i figure, luke didn't have to endure the kinds of pain and loss anakin endured. in A New Hope, luke returned to find his aunt and uncle killed and didn't seem as affected by it as he should. all he wanted was to leave, fly, je-die! he didn't actually lose anybody else; even obi wan was always around in his casper-like presence. at most, luke had abandonment issues.

but anakin's story is a lot different. you've all seen revenge by now, and it's perfectly understandable why anakin succumbed to the darkside. all these jedi, with their lofty counsel of control and discipline couldn't save anakin. he was tailor-made to follow the path of the dark.

and isn't that what revenge of the sith really wants to tell us? the logic of losing control? to let go of our emotions and feel? We should keep in mind that all this time, star wars is really anakin's story--his rise, fall, and, in the end, redemption.

make no mistake about it. luke was never the one. he was too wimpy for the dark side, too wholesome. nothing remotely poetic about it. pwe!

heck, they should have just given han solo a light sabre. he could've played the part better.

Tuesday, May 24, 2005

Perfect Blue Buildings -- Counting Crows

Just down the street from your hotel, baby
I stay at home with my disease
And ain't this position familiar, darling
Well, all monkeys do what they see
Help me stay awake, I'm falling

You got an atttitude of everything I ever wanted
I got an attitude of need
Help me stay awake, I'm falling

Asleep in perfect blue buildings,
Beside the green apple sea
Gonna get me a little oblivion
Try to keep myself away from me

It's 4:30 am on a Tuesday
It doesn't get much worse than this
In beds in little rooms in buildings in the middle
Of these lives which are completely meaningless
Help me stay awake, I'm falling

Asleep in perfect blue buildings
Beside the green apple sea
Gonna get me a little oblivion
Try to keep myself away from myself and me

I got bones beneath my skin, mister
There's a skeleton in every man's house
Beneath the dust and love and sweat that hang
on everybody
There's a dead man trying to get out
Help me stay awake, I'm falling

Asleep in perfect blue buildings
Beside the green apple sea
Gonna get me a little oblivion, baby
Try to keep myself away from me

Thursday, May 19, 2005

Song of Sand (Suzanne Vega)

If sandwaves were soundwaves,
what song would be in the air now?
What stinging tune
could split this endless noon
and make the sky swell with rain?

If war were a game that a man or a child
could think of winning
What kind of rule
could overthrow a fool
and leave the land with no stain?

Tuesday, May 03, 2005

Brook

The old dirt road will lead you to it, eventually:
a depression visible through the gaps among the tall grass,
the air terribly lonely where a bridge should have been.

The descent will be difficult. The banks are steep
and riddled with roots and insects and mud.
But the brook will be there--the daily chorus of rocks

gurgling the sweet water, the dragonflies balanced
curiously above the laughter of lilies and fish,
the visiting kingfisher, blue, chest puffed, proud.

Late this afternoon a letter arrived from some country,
some memory, some small movement in the soul.
It had nothing to do with the brook, but still

I walked out of the house to stare at the gathering night
and to weep for the little deaths--the day's demise,
the loss of color, the brook I will not visit in the darkness

nor come back to, ever again. Return is the tragedy of time,
rotting the spoiled places, inconsolable by presence.
We handle grief by moving. Distance makes it intense.

Sunday, November 28, 2004

Bayaw Ka Na Ba?

1. Sino ang sumulat ng mga kanta para sa Leon Guerrero, Julio Valiente, at Geronimo?
2. Saang commercial to galing: "I'm gonna knock on your door, ring on your bell, tap on your window, too"?
3. Nasa'n ang mole ng lolo sa Bear Brand commercial?
4. Ano'ng address ng Tape Productions (nung nasa Channel 9 pa ang Eat Bulaga)?
5. Sino yung kasama ni Apeng Daldal sa Cafe Aroma na laging may dalang gitara?
6. Kaninong boses si Dr. Smith sa Voltes V?
7. Anong kulay ng panty ni Annie sa Shaider?
8. Sa'n galing si Smurfette?
9. Ano'ng pangalan ng pusa ni Gargamel?
10. Anong okupasyon ni John Blackstar?
11. Ilang robot talaga ang nasa Getta Robot?
12. Bukas ulit. Trabaho muna...

Y.C.!

Y.C. Bikini Briefs,
Y.C. Bikini Briefs,
Y.C. Bikini Briefs,
For the man who packs a whallop.

Y.C. spells fashion,
Y.C. spells comfort,
Y.C. sets beauty in motion,
Y.C. is for you!

Y.C. Bikini Briefs,
Y.C. Bikini Briefs,
Y.C. Bikini Briefs...

Monday, October 25, 2004

bayaw terms part 2

1. pu-ge -- gwapo
2. ha-wey -- EDSA, mula sa Grenheels
3. tubero -- selp eksplanatori
4. Boy Bastos -- Da King Bayaw.
5. i like your candor -- hirit line ng mga bayaw
6. o, pubic hairful ha -- magpapasalamat pa sasabihan mo 'pag nahirit mo 'to
7. bawal umehi deto -- paboritong isinusulat sa pader ng mga bayaw
8. management -- mga bayaw na mahilig mangikil ng multang P500
9. mehn, cool pal ka talaga -- para sa taong kunwari'y kaibigan mo
10. arimwanan (seryoso 'to) -- convenient
11. Look for Henry Pawhay -- bayaw expression from waaay back
12. Bhoy Sakmal -- walang iba kundi the Dextrose Bayaw himself, si Chet
13. The Forces of Evil -- animal na banda 'to. rakenrol!!!
14. Good Morning Towel -- official towel of the bayaws
15. Froda -- ang nag-ayos ng blog na 'to. Salamat!!!

Friday, October 15, 2004

Four-Lane Poem

Maria/who has never
crossed the street/
now dragging her feet
back turned from/ traffic
/the blur of/sound of engines
a failed marriage of 28 years
/Maria can see sidewalk/
steady blackness of asphalt
the point of lanes
why lin/es are all broken
the road so close and how
cars like people
swe/rve
from such violent tricks/such
betrayal